Haeeun Hong 홍해은
"Flowers Everywhere"
24 AUG - 23 SEP 2020
11am - 6pm (12pm - 6pm, Sunday)
Closed : Thursday
Haeeun Hong 홍해은
"Flowers Everywhere"
24 AUG - 23 SEP 2020
11am - 6pm (12pm - 6pm, Sunday)
Closed : Thursday
Byeonghyeon Jeong 정병현
Art Works
Introduction / Note
Starfield
Brightness is not the only one that exists in this world and in life. Light and darkness coexist in this world. Brightness has a meaning and value in the presence of darkness. But the darkness that blocks out the light, not the one that highlights it, must be cleared away, so that light becomes visible once again. Light is my very existence. There has been strong darkness in my life. The darkness fell upon my existence. I wanted to get rid of it, rather than aspiring to be bright. I believe when darkness disappears, my being would shine and glow. Light resides in all living and non-living things. All things and lives have light. Every light, both strong and weak, is unique and precious. Individual stars gather together to form a Starfield. Therefore, individual things are so valuable that they are indispensable when forming the whole. Big stars, small stars, strong stars, and weak stars all come together to form a huge field. That is Starfield. Everything that forms a building is valuable. If one of the small nails is lost, the structure of the building collapses. So is the Starfield. If one individual star is missing, there is no Starfield. What is important is to aware of this fact. Every being must be aware of how priceless other stars are. Based on this understanding, the precious individuals gather together to form a field of radiant beauty. It is a structuralist view that the whole can collapse if one part disappears. However, existing structuralism is based on a functionalistic and anti-humanistic standpoint. Since only the totality is important, the parts that comprise the whole could not have any significance other than being accessories. The structuralism I talk about goes beyond its existing structure system. The currentparadigm focuses on the “st ructure” as a full and and complete totality which is the sum of its parts, but the “structure” I present emphasizes the value of the existence of each individual part. Only when the significance of ‘I’ and ‘You’ is perceived, ‘We’ could also exist. ‘The Starfield' composed of the sum of the individual things, is beautiful because it gives importance to individuality. I dream of ‘the Starfield’ on earth, the solidarity of the individuals that shine out from the darkness. Sunhwa Kim (Simhyang) 2018
스타필드
세상과 삶에는 밝음만이 존재하지 않는다. 세상엔 빛과 어둠이 공존한다. 어둠이 있기에 밝음이 유의미하며, 소중한 존재로 부각된다. 그러나 빛을 돋보이게 하는 어둠이 아닌, 빛을 가리는 어둠은 걷혀야만 한다. 그래야만 빛이 보이기 때문이다. 빛은 내 존재 그 자체이다. 내 삶에는 강한 어둠이 있었다. 어둠이 내 존재를 가렸다. 나는 빛이 나는 존재가 되길 갈망하기보다는, 어둠을 걷어내고 싶었다. 어둠이 사라지면, 내 존재는 빛이 나게 되어 있다고 생각한다. 빛은 모든 사물들이자, 생명들이다. 모든 사물이나 생명에는 빛이 존재한다. 모든 빛은 강한 빛이든 약한 빛이든 모두가 독자적이며 소중하다. 개별적인 별들 하나하나가 모여 별들의 들판을 형성한다. 따라서 개별적인 것은 전체를 형성할 때 없어서는 안 되는, 너무나 소중한 존재이다. 큰 별, 작은 별, 강한 별, 약한 별 모두 개별적인 존재들이 모여 하나의 거대한 들판을 이룬다. 그것이 바로 별들의 들판이다. 건물을 형성하는 부속품 하나하나가 소중하다. 작은 못 하나라도 빠져버리면, 건물이라는 구조물은 무너진다. 별들의 들판도 그렇다. 개별적인 별 하나라도 빠져버리면, 별들의 들판은 존재하지 않는다. 중요한 것은 이러한 사실의 인식이다. 다른 별들이 얼마나 소중한 지, 각 존재들은 자각해야 한다. 타인의 소중함을 자각하고, 소중한 각 개인들이 모여 눈부시게 아름다운 들판을 형성한다. 하나라도 사라지게 되면 전체가 무너질 수 있다는 것은 구조주의적 관점이다. 그러나 기존의 구조주의는 기능주의적이고, 반휴머니즘적이다. 전체만이 중요하기에, 전체를 구성하는 부분은 부속품 이외의 의미를 지닐 수 없거나 매우 적다. 그러나 내가 주장하는 구조주의는 기존의 구조주의의 한계를 넘어선다. 기존의 구조주의는 부분들의 총합인 ‘구조’의 견고함과 완결성에 중점을 두었다면, 내가 주장하는 ‘구조’는 오히려 ‘부분’과 ‘개별‘적인 존재의 소중함에 중점을 두고 있다. 나의 소중함, 너의 소중함이 인식될 때, ‘우리’도 존재한다. 개별적인 것의 총합을 이룬 ‘별들의 들판’이 아름다울 수 있는 것은 바로 개별성에 소중함을 부여하기 때문이다. 어둠 걷힌 소중한 개별적 존재들이 연대하여 이룬 ‘별들의 들판’이 지상에서 이루어지는 미래를 꿈꾼다. 김선화 (심향) 2018
CV
995 – 1999 B.F.A. College of Fine Arts Department of calligraphy, Keimyung University, Daegu, Korea
SOLO EXHIBITIONS
2022 'Starfield', Gallery PALZO, Daegu, Korea
2016 'Starfield', organized by Suseong Artpia and Gallery Plazo, ,Suseong Artpia, Daegu, Korea
2015 'Starfield', Gallery Hi, Seoul, Korea
2011 'Ink & Thread', Gallery Palzo, Cheongdo, Korea
2010 'The Ten Creatures of Longevity', Gallery Plazo, Cheongdo,
2004 Simhyang SunHwa Kim Solo Exhibition, Gallery H&H, Cheongdo, Korea
2003 Simhyang SunHwa Kim Solo Exhibition, Samsung Financial Plaza Gallery, Daegu, Korea)
2002 Bongsan Fine Art Festival, Daerimdang Gallery, Daegu, Korea
SELECTED GROUP EXHIBITIONS
2022 Map of the Soul, Gallery Palzo Daegu Opening Exhibition, Gallery Palzo, Daegu
2019 ECC - Venice Bienniale Collateral Exhibition"Personal Structures – identities", Palazzo Mora, Venice, Italy
2018 VIII Tashkent International Contemporary Biennale, Art Gallery of Uzbekistan, Tashkent, Uzbekistan
2017 ECC - Venice Biennale Collateral Exhibition "Personal Structures-Open Boards", Palazzo Mora, Venice, Italy
(In the context of the Venice Art Biennale 2017, the GAA Foundation presents the exhibition "PERSONAL STRUCTURES -
open boards.
The exhibition is hosted and supported by the European Cultural Centre in two of its restigious Palazzos in the centre of Venice Palazzo
Bembo and Palazzo Mora-and the Giardini Marinaressa.)
2016 RED DOTS V "Independent" TAGBOT ART FES Hulic Asakusabashi, Tokyo, Japan
Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Exhibition of Catholic fine arts association, Daebak Plaza, Bongsan Culture Center, Metro Gallery, Daegu,
2015 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Love Cheongdo (Bullfighting stadium exhibition center a theme park, Gallery Cheongdam, Cheongdo, Korea
2014 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Exhibition of Catholic fine arts association, Daebak Plaza, Bongsan Culture Center, Metro Gallery, Daegu,
Love Cheongdo (Bullfighting stadium exhibition center a theme park, Gallery Cheongdam, Cheongdo, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
Healing Art Cheongdo (Hosted by Cheongdo Branch of The Federation of Artistc & Cultural Organization of Korea - organized by Gallery
Palzo, Cheongdo, Korea
Boksakkot Art Road (Gallery Palzo, Cheongdo, Korea
2013 Love Cheongdo (Bullfighting stadium exhibition center a theme park, Gallery Cheongdam, Cheongdo, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
Healing Art Cheongdo (Hosted by Cheongdo Branch of The Federation of Artistc & Cultural Organization of Korea - organized by Gallery
Palzo, Cheongdo, Korea
Boksakkot Art Road (Gallery Palzo, Cheongdo, Korea
2012 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Exhibition of Catholic fine arts association, Daebak Plaza, Bongsan Culture Center, Metro Gallery, Daegu, Korea
Love Cheongdo (Bullfighting stadium exhibition center a theme park, Gallery Cheongdam, Cheongdo, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
2011 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Exhibition of Catholic fine arts association, Daebak Plaza, Bongsan Culture Center, Metro Gallery, Daegu, Korea
Love Cheongdo (Bullfighting stadium exhibition center a theme park, Gallery Cheongdam, Cheongdo, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
2010 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Exhibition of Catholic fine arts association, Daebak Plaza, Bongsan Culture Center, Metro Gallery, Daegu, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
Love Cheongdo (Bullfighting stadium exhibition center a theme park, Gallery Cheongdam, Cheongdo, Korea
2009 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Love Cheongdo (Bullfighting stadium exhibition center a theme park, Gallery Cheongdam, Cheongdo, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
2008 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
2007 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
2006 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea (2004, 2006~2012, 2014~2016)
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
2005 Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
2004 Exhibition of Daegu Fine Arts Association. Daegu Culture & Art Center, Daegu, Korea
Maeil Calligraphy Grand Exhibition "The Invited Artist ExhibitioN, Daegu Culture & Art Center, Daegu, Korea
An exhibition of the opening of the Bongsan Culture Center, Daegu, Korea
Invitation Exhibition Woman Artist in Daegu Metropolitan City, Civic Center, Daegu, Korea
2002 Korea & China International Calligraphy Exchanges Exhibition, Sanxi Museum of Art, China
TAEMUK, Baekack Yewon, Seou
Besides, selected group exhibition a many times.
Art fairs
2022 KIAF SEOUL, COEX, Seoul, Korea
Galleries Art Fair, SETEC, Seoul, korea
2021 Daegu Art Fair, EXCO, Daegu, Korea
KIAF SEOUL, COEX, Seoul, Korea
Art Central, Hong Kong, Here/There, HKCEC, Hong Kong
Galleries Art Fair, COEX, Seoul, korea
2020 Daegu Art Fair, EXCO, Daegu, Korea
PLAS CONTEMPORARY ART SHOW, COEX, Seoul, Korea
2019 KIAF Art Seoul, COEX, Seoul, Korea
Daegu Art Fair, EXCO, Daegu, Korea
2018 Daegu Art Fair, EXCO, Daegu, Korea
Art Busan, BEXCO, Busan Korea
2017 Daegu Art Fair, EXCO, Daegu, Korea
Art Nagoya Westin Nagoya Castle Hotel, Nagoya, Japan
2016 Daegu Art Fair, EXCO, Daegu, Korea
Art Busan, BEXCO, Busan Korea
Art Nagoya Westin Nagoya Castle Hotel, Nagoya, Japan
Asia Contemporary Art Show, Suntec Convention Center, Singapore
2015 Daegu Art Fair, EXCO, Daegu, Korea
Art Nagoya Westin Nagoya Castle Hotel, Nagoya, Japan
Seoul Open Art Fair (COEX, Seoul, Korea)
Performances
2017 The 57th Venice Biennale "Personal Structures-Open Boards" ,Palazzo Mora, Venice, Italy
2016 Series encounter II, Daegu Art Factory, Suchang Hall, Daegu, Korea
2015 Series encounter I, Kyoto Art Center, Kyoto, Japan
Awards
A prize at the Grand Art Exhibition of Korea.
Besides... many of the nation's art contests in specially selected, a prize
Selected Collections
Patima Hospital (Daegu, Korea), Ariana Hotel (Daegu, Korea),
Besides. several hospitals and private collections in Japan, Korea, France, and Singapore.
Publications and Articles - shortlist
Korea
Fascinating Culture and Seductive Human Being,
by Chung Haesung, PRUNSASANG (2017)
NOBLESS Magazine, Asia Culture Centre
Daegushinmun Newspaper, Yeongnamilbo Newspaper
Maeil Newspaper, Economy talk News
Japan
TAGBOT ART FES (Japan)
Italy
⦁Personal Structures - Venice Biennale (2017)
⦁ArtTrav : Worthy of note is Simhyang's discreet multi-layed embroidery on paper that, in a weird Korean way, this has a je-ne-sais-quoi of Giorgone to it,
and I'm seeing a thread theme that sews its way over to the main Biennale exhibit. - by Alexandra Korey (2017)
Moscow
"Содружество искусств Москва“ 2019 ("Art Union Moscow” 2019)
France
⦁LA GAZETTE DROUOT
⦁La Corée, des artistes de qualité pour un marché confidentiel
CEsthétique du silence
(...) Alors qui sont-ils ? «L’intérêt est toujours plus fort pour les artistes du mouvement abstrait monochrome Dansaekwha, représenté entre autres par Chung Chang-Sup, Ha Chong-Hyun, Cho Yong-Ik, dont les travaux, dans les années 1970, ont influencé plusieurs générations d‘artistes comme Park Seo-Bo, mais aussi Lee Ufan», poursuit Guillaume Piens. À la KIAF, au moins dix galeries présentaient, chacune, des pièces de ces deux derniers. «En 2014, nous avons organisé les premières expositions de Park Seo-Bo et Chung Chang-Sup, en France et à New York, ajoute Emmanuel Perrotin. Il nous paraîtnessentiel d’exposer en Corée et en Asie, et plus largement à travers le monde, ces figures majeures de l’art contemporain, dont les oeuvres pétries de considérations spirituelles révèlent une forme de rituel cosmogonique conduisant à une harmonie sincère avec la nature.» Et Maria Lund d’ajouter : «J’aime leur dimension méditative et spirituelle. Celles de Lee Jin Woo, constituées de strates, sont réalisées à l’aide d’un processus quasi méditatif, tout comme celles, fragiles et délicates, de Choi Byung-So… Leurs travaux me font avancer dans ma quête de compréhension du sens et du non-sens, dans ma recherche sur le vide et le plein, ma quête de signification d’un “quasi rien”.» Un hommage partagé par la galeriste Françoise Livinec, présente pour la troisième fois consécutive à la KIAF : «Ici, je me sens comme à la maison, au Huelgoat, sur les pas du poète breton Victor Segalen. J’y retrouve une certaine rugosité et une austérité emblématiques de la Bretagne comme de la Corée. Et puis, certains de mes artistes, comme Loïc Le Groumellec, partagent cette esthétique du silence et du temps, si sensible chez les Coréens que la galerie soutient.» Cette plasticité de la discrétion, du temps et du silence, nous la retrouvons aussi sur le stand de la galerie coréenne Palzo, àtravers la série «Starfield» de Sim Hyang, artiste décédée en 2019. Ses broderies sur papier Hanji expriment à travers des matériaux traditionnels une délicatesse empreinte de spiritualité et de sens profond. Mais cette scène ne saurait se résumer à ce seul aspect. «Il existe également une veine techno-futuriste utilisant les technologies et l’image numérique», ajoute Guillaume Piens, comme celle traitant du politique et de la frontière matérialisée par la zone démilitarisée entre les deux Corées, aimantant l’imaginaire de la jeune génération.» Le 21 novembre 2019, par Virginie Chuimer-Layen
Exhibition View
